With special guests Sam Llanas Band and Bruce Humphries & the Rockabilly Rebels
$15 tickets available HERE or $18 at the door. Doors at 6pm- Bruce Humphries 6:30pm // Sam Llanas 7:30pm// Rosie Flores 8:45pm
It’s telling that Rosie Flores’ e-mail handle begins “chickwpick…” In a long and eclectic career of singing, songwriting and performing, no phrase has ever described the San Antonio native better or more concisely.
But now, with the release of her latest album, Flores takes square aim at a genre she has only sampled heretofore. Simple Case of the Blues showcases Flores in a new light, as a seasoned performer steeped in life’s uncompromising lessons. At once torchy, soulful, heartfelt and yearning, the songs on Simple Case of the Blues are not for the emotionally naïve—it’s the music you make when you’ve come through joy and heartbreak and back again.
Utilizing songs by Roy Brown, Wilson Pickett, Heath Wilson, and Flores herself, Simple Case of the Blues was produced by songwriter/guitarist Charlie Sexton (Bob Dylan, The Arc Angels). With an assist by guitarist Kenny Vaughan (Marty Stuart, Lucinda Williams), Simple Case of the Blues was, to hear Flores tell it, a long time coming.
“I got infatuated with the blues in high school,” said Flores, who played in a band called Penelope’s Children during those years. “It was the first music I ever played. A high school friend taught me some chords and mentored me. He introduced me to the blues. He went on to play in the King Biscuit Blues Band, so I felt like I got a great early education.
“I always loved Buddy Guy—his real lyrical playing. It’s like his guitar is having its own conversation. It’s an ongoing process; I’ve mastered the life of a musician, but I’ll be working on the guitar for the rest of my life.”
In a career that spans more than four decades, Flores has proven to be a musical chameleon. She’s jumped feet first into punk rock (with her ’70-era band, the Screaming Sirens), country of both the Bakersfield and Nashville varieties, the Texas singer/songwriter scene, alt-country, straight-up rock and rockabilly. So much so the latter that her onstage moniker for years was “The Rockabilly Filly.” But always and throughout, she has been the Chick with the Pick.
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